"The Turian camisk is a bit like an inverted 'T,' the bar of which has beveled edges. It goes about the neck, down, low, and is drawn up, and snugly, usually quite snugly, between the legs, the beveled bad ends on the 'T' then being folded closely forward about the girl's flanks and being tied, tightly, at her belly."
Guardsman of Gor, Page 107

“Eta pulled at the bit of rag she wore. “'Ta-Teera,” she said. I looked down at the scrap of rag, outrageously brief, so scandalous, so shameful, fit only for a slave girl, which I wore. I smiled. I had been placed in a Ta-Teera. “Ta-Teera,” I said. I wore the Ta-Teera.”
Slave Girl of Gor, Page 81

“Joyfully I drew on the garment, slipping it over my head, and fastened it, more tightly about me, by the two tiny hooks on the left. The slit made the garment a rather snug one, easier to slip into; the two hooks, when fastened, naturally increased the snugness of the garment, drawing it quite closely about the breasts and hips, deliciously then, from the point of view of a man, the girl's figure is betrayed and accentuated; also, the two hooks do not close the slit on the left completely, but permit men to gaze upon the sweet slave flesh pent, held captive, within; such a garment, of course, when a man grows weary of having his vision obscured, is easily torn away.”
Slave Girl of Gor, Page 75

“Similarly, the expression `red-silk,' in Gorean, tends to be used as a category in slaving, and also, outside of the slaving context, as an expression in vulgar discourse, indicating that the woman is no longer a virgin, or, as the Goreans say, at least vulgarly of slaves, that her body has been opened by men. Its contrasting term is `white-silk,' usually used of slaves who are still virgins, or, equivalently, slaves whose bodies have not yet been opened by men. Needless to say, slaves seldom spend a great deal of time in the `white-silk' category. It is common not to dally in initiating a slave into the realities of her condition."
Blood Brothers of Gor, Page 472

“…common terms, used generally of slaves, are `white silk' and `red silk', for girls who have not yet been opened, or have been opened, for the uses of men, respectively.”
Dancer of Gor, Page 128

"I slipped on the bit of silk. I looked in the mirror and shuddered. I had been naked before men, many times, but it did not seem to me that I had been so naked as this. It was Gorean pleasure silk. Not naked, I seemed more than naked."
Captive of Gor, Page 322

"Slave Silk, and certainly that sort which is commonly worn in paga taverns and upon occasion in brothels, when the girls are permitted clothing there, is generally diaphanous. It leaves little doubt as to the beauty of the slave. Some girls claim they would rather be naked, claiming that such silk makes them 'more naked then naked,' but most girls, and I think, even those, too, who speak in such a way, are grateful for even the wisp of gossamer shielding it provides against the imperious appraisals of masters, even though it must be pulled away or discarded instantly at a man's whim."
Dancer of Gor, Page 224

"There are a large number of ways in which slave silk is worn. It can be worn, for example, on the shoulder or off the shoulder, with high necklines or plunging necklines, in open or closed garments, tightly or flowing, and in various lengths. Sometimes it is put on the girl only in halters and G-strings, or mere G-strings. Sometimes it is done, too, in strips wound about her body. The tying of slave girdles, with such silk, and otherwise, to emphasize the girl's figure and make clear her bondage, is an art in itself. Often, too, and as usually in paga taverns, it is worn in brief tunics. Most of these are partable or wraparound tunics. Such may be removed gracefully. Some tunics, however, like some regular slave tunics, have a disrobing loop, usually at the left shoulder, where it may easily be reached by both a right-handed master and a right handed slave. A tug on the disrobing loop drops the tunic to the girl's ankles, also gracefully."
Dancer of Gor, Page 225

“She was blond; she was barefoot; she wore an ankle-length white kirtle, of white wool, sleeveless, split to her belly.”
Marauders of Gor, Page 81

“Gunnhild, angrily, with two hands, jerked her kirtle to her waist, and stood straight, proudly before the Forkbeard, her breasts, which were marvelous, thrust forward.”
Marauders of Gor, Page 85

“She wore a high, red-silk vest, swelling, fastened with a single hook; diaphanous red-silk chalwar, low on her hips, gathered at the ankles; two golden bangles on her left ankle; collar.”
Tribesman of Gor, Page 156

“Following him, in a black haik, was a woman. Suddenly I was startled. As she passed me, her stride small and measured, I heard the clink of light chain, the sound of ankle bells. She was slave. She turned her head, briefly, to look at me; I saw her eyes, dark, through the tiny opening in the haik, through the tiny, black-lace screen, about an inch in height and four inches in width. Then, with a rustle of chain, and the tiny music of her bells, she turned swiftly, following her master. Beneath the haik, I supposed her collared, naked.”
Tribesmen of Gor, Page 44

“The red cord, or Curla, was knotted about my waist, tightly, the knot, a slip knot, might be loosened with a single tug over my left hip. Over the Curla in the front, slipping under the body and between the legs, and passing over the Curla in the back, was the Chatka, or narrow strip of black leather, some six inches in width, some five feet or so in length; it was drawn tight; when a girl wears the Curla and Chatka, the brand, whether on left or right thigh, is fully visible, for the inspection of masters. I also wore a brief, open, sleeveless vest of black leather, the Kalmak. I wore a broad Koora, which, kerchieflike, covered most of my head.”
Slave Girl of Gor, Page 328